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Show the price before they ask for it

Contact us for a quote filters for patience rather than intent. What happens when you let people work the number out themselves.

· 9 min read · 2,036 words

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There is a particular kind of enquiry form that asks for a name, an email address, a phone number and a short description of the project, and then promises that somebody will be in touch to discuss pricing. It is the default for trades, agencies, consultancies, event companies, and most businesses whose costs depend on the specifics. It is also, for a large share of the people who see it, the end of the interaction.

The reasoning behind it is sound enough. Your pricing genuinely does depend on the specifics. A number quoted without the specifics will be wrong, and a wrong number is worse than no number, because you will spend the first ten minutes of every call walking somebody back from a figure you should never have given them.

All of that is true and it still costs you money, because the person on the other side is not weighing up your pricing model. They are deciding whether to spend an unknown amount of effort to find out an unknown number, at a moment when they have four other tabs open and no particular loyalty to you. Most of them close the tab, and you never learn that they existed.

What people are actually asking

When somebody wants a price, they are almost never asking for a quote in the contractual sense. They are asking a much cruder question: is this the kind of thing that costs four hundred pounds or four thousand? They want to know which conversation they are about to have, and whether it is worth having at all.

That question can nearly always be answered without a call. You know your own numbers. You know that a two-bedroom flat is a different job from a four-bedroom house, that a twelve-person workshop costs more than a six-person one, that rush work carries a premium. You apply those rules every single time you quote. The only thing stopping the person in front of you applying them is that you have not written them down anywhere they can reach.

A form can ask the three or four things that actually move the number, and then show it. Not a binding quote. A range, or a starting figure, with a clear line about what would change it. That is a completely different promise from a quote, and people understand the difference perfectly well as long as you say it plainly.

Nobody wants a conversation in order to find out whether they can afford you.

The objection, and why it is usually wrong

The instinctive objection is that showing a price loses you the chance to sell. If they see four thousand pounds without context, they leave. If you get them on the phone first, you can explain the value and they stay.

Sometimes that is right. For genuinely complex work where the price is meaningless without a diagnosis, a conversation really does have to come first. But for most small businesses, the people who leave when they see the number were going to leave anyway. They were going to leave after the call, having taken forty minutes of your week with them, and having occupied a slot in your diary that a real prospect could have used.

What you lose is a category of enquiry you did not want. What you gain is that everybody who does submit the form has seen a number and carried on regardless, which is a completely different starting position for a conversation.

There is a second-order effect that matters more than either. People who submit after seeing the price arrive without sticker shock, and a sales conversation that does not have to relitigate the budget is a much shorter and much friendlier conversation. You spend it talking about the work instead of defending the invoice.

Which questions actually move the number

The mistake at this point is to build a calculator that asks eleven questions because your real quote depends on eleven things. It does, and you should still not ask eleven.

Look at your last twenty quotes and find the two or three variables that account for most of the variation. For a cleaner it is usually bedrooms and frequency. For a photographer, hours and whether editing is included. For a consultant, days and whether travel is involved. There will be a long tail of things that adjust the figure by ten per cent, and you can leave every one of them out.

The goal is not accuracy. The goal is to move somebody from no information at all to roughly the right order of magnitude, which is a much lower bar and one that three questions can usually clear. If your estimate lands within twenty per cent of the eventual invoice, it has done its job.

  • Pick the two or three variables that explain most of your price variation
  • Ask them in plain language, in the order somebody would naturally think of them
  • Show a range rather than a single figure, unless the figure is genuinely fixed
  • Say in one line what would change it, so the number reads as honest rather than as a promise
  • Resist the fourth question until you have watched a month of real submissions

Show the working as they go

A calculator that reveals its answer only at the end behaves like a quiz, and people treat it like one. They rush, they guess, and they are surprised by the result.

A number that updates as somebody answers behaves like a conversation. They pick three bedrooms and watch the figure move. They switch from fortnightly to weekly and see what that costs. They are learning your pricing model, which is the thing you were previously spending phone calls teaching them one at a time.

It also quietly qualifies in both directions. Somebody who watches the number climb past their budget leaves without wasting anybody's afternoon. Somebody who sees it land lower than they feared often upgrades themselves, right there in the form, because the cost of the better option is now concrete rather than frightening. That second group is the one most businesses never see, and it is frequently larger than the first.

The honest caveat, written once

Every price calculator needs a sentence that explains what it is. Not a paragraph of disclaimers, which reads as fear. One line.

Something like: this is an estimate based on what you have told us, and we will confirm the final figure after a site visit. That does the whole job. It tells somebody the number is real enough to plan around and not so real that they can hold you to it if the job turns out to be different.

Put it directly under the number rather than at the bottom of the page. A caveat somebody has to scroll to find is a caveat you will end up arguing about, and the argument will happen at exactly the moment you least want to be having it.

What to do with the number afterwards

The figure somebody saw is information about them, and most businesses throw it away. If a person configured a four-thousand-pound job and then submitted the form, that is a materially different lead from one who configured four hundred, and the follow-up should not be identical.

Keep the inputs and the result with the submission. It costs nothing, and it means the first thing you say on the call can be a reference to the weekly option for a four-bed rather than a request to tell you a bit about what they need, which they have already done.

The gap between those two openings is the difference between a business that looks organised and one that looks like it is starting from scratch every time. Over a year of enquiries it is worth more than any change you could make to the form itself.

Handling the awkward cases

Every pricing model has jobs that do not fit. The Victorian conversion with the listed-building consent. The client who wants the workshop delivered in three cities. If you try to make the calculator cover those, it will grow to eleven questions and serve nobody.

Give them a door instead. A final option that says something like my situation is more complicated than this, which skips straight to the enquiry form and tells you which of the standard options came closest. You get the lead, they get out of a flow that was clearly not built for them, and your estimator stays simple.

In practice that option is chosen far less often than people fear. Most jobs are ordinary. The ones that are not tend to know it, and the people bringing them expect a conversation anyway.

When not to do this

There are real cases where a public number is the wrong move. If your pricing is genuinely negotiated per client, if you deliberately charge different customers differently, or if the honest range would be so wide as to be useless, a calculator will hurt you rather than help.

There is also a competitive argument, which is usually weaker than people think. Yes, your competitors can see your pricing. They could also ring up and ask, or read a review, or quote against you on the same job last month. Pricing opacity is rarely the moat it feels like from the inside.

But if you genuinely cannot show a number, show something else: a typical range for a typical job, three worked examples with real figures, or simply a plain description of what the first conversation will cover. The thing that costs you the enquiry is not the price. It is the absence of any information at all.

Ranges beat single numbers

A single figure invites an argument. A range invites a decision. If you tell somebody a job is nine hundred pounds and it comes in at eleven hundred, you have broken a promise. If you tell them it is between eight hundred and twelve hundred, eleven hundred is exactly what you said would happen and nobody is surprised.

The width of the range is itself a message. A narrow band says you have done this a hundred times and you know what it costs. A band three times as wide as its midpoint says you are guessing, and people read that correctly, so do not use width as a hedge against having to think about your own pricing.

Where a figure genuinely is fixed, say so and show the single number. Mixing the two is fine and it is more honest than pretending everything is uncertain. Fixed call-out fee, then a range for the work, is a structure people understand immediately because it is how tradespeople have always quoted.

Measuring whether it worked

Enquiry volume is the wrong metric here and it is the one everybody reaches for first. If you show a price, raw submissions will usually fall, and if that is the number on your dashboard you will conclude the change failed and put the old form back.

Track the two numbers that pay you instead: enquiries that turn into quotes, and quotes that turn into work. A calculator that halves your enquiries and doubles your close rate has left you with the same revenue and a great deal more free time, which is a win even before you count the second-order effects.

Give it at least a month, because enquiry data is noisy at small-business volumes and a fortnight of it will tell you almost nothing you can trust.

What to do this week

Open your last twenty quotes and work out which two or three things explained most of the difference between them. That exercise on its own is usually clarifying, and several people discover their pricing is far less complicated than they had been telling themselves.

Then build the smallest possible version: three questions, one number, one honest line underneath. Put it on the page where your enquiry form currently sits, and leave the old form as the fallback for people whose situation does not fit.

Give it a month and compare enquiries against work won. The first number will probably fall. The second is the one you were being paid on all along.

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